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The Sarasota School of Architecture, 1941-1966
Binding: Paperback
Author: John Howey
Manufacturer: The MIT Press
Availability: Usually ships in 24 hours
Average Rating: 4.5
Total Customer Reviews: 2
List Price: $35.00
Our Price: $29.57
Sales Rank: 844685
Product Description
Foreword by Michael Sorkin Introduction by Richard Guy Wilson "This excellent book makes a strong case for a renewed appreciation of regional modernism." -- Erika Belsey, Art New England Inflected by local climate, construction practices, regional culture, and Florida lifestyle, the work of the Sarasota school of architecture marks a high point in the development of regional modernism in American architecture. Although the Sarasota school wasn't a consciously organized movement, it was an important chapter in American modernism that, unlike the earlier Bay Area school and Chicago school, has received little study or published scholarly treatment. John Howey provides the first solid documentation of the Sarasota group's designs and theories. He has interviewed all of the surviving architects and original clients and has included a rich archive of photographs by Ezra Stoller, Alexandra Georges, and others.
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Users Product Reviews: |
Product Review Summary: Architects who flew too close to the sun John Howey does an excellent job of connecting the place, the time, and the influence of Frank Lloyd Wright and Walter Gropius, to explain the development and evolution of a fine group of architects who practiced in Sarasota beginning in the 1940s, and a few of whom remain even today. While he ends his book on a down note, the book itself and the hard work and dedication of the Sarasota Architectural Foundation have resulted in a revived interest in the work of these architects. Hopefully, efforts to save and restore their surviving masterworks will succeed, despite the forces of McMansionization at work in Sarasota.
Product Review Summary: GOOD Mid-Century Modernism This is the story of a group of talented young architects who were in the right place at the right time. The time (1946-66) was when America was in a building boom, the public wanted fresh, clean designs. Sarasota was a growing town and Modern Architecture was going to change the world. The Father of it all was an architect named Ralph Twitchell. In 1940 Twitchell hired a young intern architect named Paul Rudolph. Rudolph would go onto Harvard GSD, serve in the Navy and return to Sarastoa in 1946, and then become Twitchell's partner in 1950. The two of them, with a group of other talented architects (most notably Victor Lundy) would go on to design some extraordinary custom homes, churches and schools. Their architecture stressed the tectonic (the use of new technologies). Although the Sarasota aesthetic was in similar vein to the California post- war architecture, it also was heavily derivative of a Florida vernacular architecture. Rudolph's early philosophy stressed five points: the Clarity of construction; Maximum economy of means; Simple overall volumes penetrating vertically and horizontally; Clear geometry floating above the Florida Landscape; Honesty in details and in structural connections. It is always a treat to see his pen and ink renderings. A must for the serious student of modernism.
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